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THE SFWA GRAND MASTERS

VOL. III

Creaky and squeaky though they may be, these tales, considered the crème de la crème in their day, retain their value as...

The third volume of stories by writers—according to editor Pohl’s introduction—officially designated grandmasters of SFWA. Though there are many more 20th-century SF authors worthy of being called grandmasters of the genre, the 15 featured here are unquestionably worthy of the designation, even if some of the 20 stories from the 5 grandmasters included this time seem a bit dusty. One can almost feel the pulp and smeary ink of the old magazines as A.E. Van Vogt (who, thanks to a good translator, was all the rage in France, Pohl says) begins his deathless “Vault of the Beast” with the three-word sentence “the creature crept.” The feverish cleverness, though, of Jack Vance’s “Miracle Workers,” a comic fantasy that lampoons WWII army movies with a battalion of spell-casting “jinxsters,” is more forced than funny. In “The Handler,” Damon Knight, known in the genre more as an editor than writer, spoofs a martini-swilling Sid Caesar–like TV star who, when thanking the little people made him successful, introduces one that is literally pulling his strings. Lester Del Rey asks if God might look after intelligent dogs in “The Faithful,” then fulminates about the hypocrisy of religious groups and their demagogic leaders in his scathing “For I Am a Jealous People.” Pohl’s work seems to have held up best, as seen in a story about a crew of space explorers who find that they must solve impossible problems, or perish, in the boldly imaginative but awkwardly titled “Gold at Starbow’s End.”

Creaky and squeaky though they may be, these tales, considered the crème de la crème in their day, retain their value as memorials to an earlier generation’s fears, hopes, and joys.

Pub Date: June 1, 2001

ISBN: 0-312-86877-4

Page Count: 448

Publisher: Tor

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2001

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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