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LET’S TAKE THE LONG WAY HOME

A MEMOIR OF FRIENDSHIP

Will resonate with women readers of all ages, who, if they are dog lovers, will be doubly moved.

A Pulitzer Prize–winning author’s heartfelt memoir of her midlife friendship with a fellow writer.

Caldwell, then book-review editor for the Boston Globe, and Caroline Knapp, a columnist for the Boston Phoenix, connected in 1996, when their love of their dogs, Clementine and Lucille, brought them together in a meadow near Boston. Besides writing and dogs, the two women had much in common, including athleticism, health problems, a history of alcoholism and belief in the value of psychodynamic therapy. Caldwell, some eight or nine years older than Knapp, devotes a sizable chunk of this volume to an account of her long struggle with alcoholism and her recovery from it. Knapp had previously published a memoir titled Drinking: A Love Story. These two brainy, independent women, both somewhat introverted loners, spent hours outdoors together, walking, talking, exercising their beloved dogs, rowing and swimming. Knapp, a devoted rower, trained Caldwell in that skill, and Caldwell taught Knapp to become a good swimmer. Each admired the prowess of the other and strove to achieve it. When time allowed, they vacationed together, sometimes with Knapp’s boyfriend along, sometimes with just their loyal dogs. Caldwell writes with deep feeling, but without sentimentality, about the life-altering friendship they formed. Unfortunately, it was short-lived. In April 2002, Knapp was diagnosed with incurable lung cancer, and less than two months later she died. The story of that final illness and of Caldwell’s grief at losing her best friend is a poignant and powerful.

Will resonate with women readers of all ages, who, if they are dog lovers, will be doubly moved.

Pub Date: Aug. 1, 2010

ISBN: 978-1-4000-6738-1

Page Count: 208

Publisher: Random House

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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