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HOW EVAN BROKE HIS HEAD AND OTHER SECRETS

An unconvincing second outing (after Raven Stole the Moon, 1998).

Here’s what happens when an epileptic rock musician tries his hand at single parenting.

Evan Wallace is the son of a wealthy Seattle heart surgeon. When he was 12, he chivalrously substituted for his kid brother in a game of chicken and was hit by a car; his injuries resulted in epilepsy. At 17, his girlfriend, Tracy, became pregnant, had their baby, but then left town with her family, freezing Evan out. He went on to become a guitarist, with one big hit. Now, as the story opens, Evan is 31, Tracy is dead from a car accident, and he’s attending her funeral in Walla Walla, an uninvited guest who sees his son, Dean, for the first time and introduces himself as his father. Then, wham! Tracy’s abusive father assaults his wife—who knows why—and charges toward Dean. Evan drives his son to safety in Seattle, and Dean reacts like any young teenager with a dead mother and a father who’s belatedly recognized his existence: He’s curious, angry, bitter and as changeable as a spring day. Evan is no role model. Though prone to seizures, he won’t level with Dean about his condition and continues to drive (against medical advice). Luckily, there’s an adult around, the legendary sound engineer Mica Morrison. She’s part black, part Japanese, smart, gorgeous and available, way too good for the thoroughly confused Evan, though inexplicably she’s all over him. She sparks up Dean, too, while offering Evan sage advice on handling his son. Evan, revealingly, thinks of Mica and Dean as his “two new toys,” and he steadily loses reader sympathy as he refuses Mica’s help and that of his own parents. He has a seizure while driving, then checks himself out of the hospital before an operation for a shattered collarbone. His last-minute epiphany, that he has an emotional age of 14, is something the reader had noticed long before.

An unconvincing second outing (after Raven Stole the Moon, 1998).

Pub Date: April 1, 2005

ISBN: 1-56947-390-0

Page Count: 368

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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