Provides quiet assurance to those who recognize this feeling as well as a model for supporting a friend. (Picture book. 3-6)
In her authorial debut, Québecois illustrator Godbout explores depression through the movements of a kangaroo.
At first, the marsupial, clad in a short, yellow jumpsuit, is seen merrily jumping over a cluster of pink flowers. The mood quickly shifts, however, as a gray cloud settles over Maloo’s head. The ’roo’s posture compresses, and then Maloo descends into the dark burrow of a wombat. Even cake doesn’t help restore Maloo’s cheer. Hopping gives way to small steps that are counted aloud, offering a sense of the length of the mood: “Seven steps. Eight steps. Nine steps.” Five pages later, Maloo has reached 1,000. Friends try to help—playing in the water, turning on fans to propel Maloo into the sky. It is only when they launch their pal upward from a blanket that the fog lifts. Soft, warm scenes, rendered in pastels and colored pencil against a spacious white background, create a safe environment to discuss sadness. From the shift to a darker palette, the tree that closes in on creatures, and the serious faces, readers will understand that the protagonist is suffering; the spare text, written from the friends’ perspectives, describes the change in locomotion but allows viewers to identify the emotions. Although the friends are steadfast, three spreads depict Maloo striving in midair alone, suggesting that the individual has a role in healing.
Provides quiet assurance to those who recognize this feeling as well as a model for supporting a friend. (Picture book. 3-6)Pub Date: Jan. 7, 2020
ISBN: 978-0-7352-6664-3
Page Count: 40
Publisher: Tundra Books
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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