This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine.
O’Connor spotlights the goddess of beauty and love in this solid addition to his Olympians series.
Aphrodite’s three attendants, the Charites, narrate a slightly-too-long recap of the origin of the Titans and Olympians, leading up to the goddess’s birth. This telling emphasizes the power of Eros as an independent force in order to highlight the dangerous potential of Aphrodite, Eros’ embodiment. After a series of shorter myths, various affairs and the introduction of Aphrodite’s capricious son (a mischievous cherub she names Eros, of course), the story concentrates on the beauty contest of the goddesses Aphrodite, Hera and Athena, judged by the mortal Paris. The problematic female stereotypes inherent in a story of powerful women fighting over looks are brought to center stage and addressed by the characters. They find the contest “beneath” them and “debasing” even while participating and reframe the contest as one of power by offering Paris boons—Hera would make him a rich king, Athena a conquering hero. Aphrodite offers him the most beautiful woman in the world: Helen of Troy. Graphically, O’Connor compensates for the lack of action in Aphrodite’s myths by taking advantage of the comic-book format for humor, with quick lines of dialogue and humorous reaction shots.
This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine. (author’s note, character profiles, “G[r]eek Notes,” discussion questions, bibliography) (Graphic mythology. 8-14)Pub Date: Dec. 31, 2013
ISBN: 978-1-59643-947-4
Page Count: 80
Publisher: Neal Porter/First Second
Review Posted Online: Oct. 22, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An entertaining take on family values, Wimpy Kid style.
A summer vacation turns out to be anything but relaxing for Greg and a teeming horde of Heffleys.
Gramma declines the offer of a grand birthday celebration, saying that “what would make her REALLY happy is if everyone else went to Ruttyneck Island”—though she prepares individual packs of her legendary meatballs. (“You knew exactly how much Gramma likes you by how many meatballs you got.”) A gaggle of Heffley relatives and a dog stuff themselves into a small beach house, where overcrowding, personality conflicts, and simmering resentments become just some of the ingredients in a rolling boil of sitcom-style catastrophes, not to mention questionable decisions ranging from leaving the kids to make dinner unsupervised to labeling a cooler “HUMAN ORGANS” to keep random passersby from helping themselves. As usual, Greg supplies the setups in poker-faced journal entries interspersed with black-and-white drawings of slouched figures bearing frowny expressions of dismay or annoyance to cue the laffs. Gramma, it eventually turns out, not only (unsurprisingly) has plans of her own, but is also keeping a shocking secret about those meatballs. To go with the knee-slapping set pieces, Kinney slips in a tasty bit of family lore about how Greg’s parents met, plus droll takes on such low-hanging comedy fruit as restaurant manners, viciously competitive board games, and social media influencers (Greg being one, albeit with zero followers, and his Aunt Veronica’s little dog being another, with 3.8 million).
An entertaining take on family values, Wimpy Kid style. (Graphic/fiction hybrid. 8-12)Pub Date: Oct. 22, 2024
ISBN: 9781419766954
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Oct. 22, 2024
Kirkus Reviews Issue: Dec. 1, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
