by Georges Perec ‧ RELEASE DATE: Jan. 19, 1995
The late French linguistic virtuoso Perec (193682; Things and A Man Asleep, 1990, etc.), wrote this brilliant book that contains not one letter E (we kid you not) in 1969, and, until now, no one was up to this extreme translating challenge. Adair, the translator, should be immediately inducted into the translator's hall of fame, for Perec's verbal antics are always outrageous, but not to have the use of the most widely used English (and French) vowel is insane. The plot around which Perec and Adair contort is a shaggy-dog tale that starts with Anton Vowl, a Kafkaesque character suffering from insomnia and general ennui. When he mysteriously disappears from his Paris apartment, his disparate friends and acquaintances gather in a country villa to try to figure out why or how he vanished. They sift through objects found in Vowl's apartment, including his notebooks that contain E- less renditions of Hamlet's soliloquy (``Living or not living: that is what I ask''), Shelley's ``Ozymandias,'' and Poe's Arthur Gordon Pym (``Quoth that Black Bird, `Not Again' ''). They also compare the cryptic messages sent by Vowl before his disappearance, messages that brought the diverse group together in the first place. What they find, after much study and a few deaths, is that there is an ancient curse following the group. The tragedies that have befallen Vowl and the rest of those assembled, they realize, are the result of their being bound by blood, and no matter what their ancestors have done to shield them, they are all in for the same fate. The convoluted plot, while intriguing, is more an excuse for Perec (and Adair) to take us through a verbal circus with sideshows featuring ancient languages, varying ways of communication, and prankster existentialism, all of which are of head-shaking genius. A mind-blowing feat of writing and translation.
Pub Date: Jan. 19, 1995
ISBN: 0-00-271119-2
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1994
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by Georges Perec ; translated by David Bellos
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by Georges Perec & translated by David Bellos & edited by Harry Mathews & Jacques Roubaud
by Grady Hendrix ‧ RELEASE DATE: April 7, 2020
Fans of smart horror will sink their teeth into this one.
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Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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