Next book

BODY LANGUAGE

WRITERS ON SPORT

For volume two of Graywolf's Forum series, editor Early (Daughters, 1994, etc.) called for personal essays about an encounter with a sport and what significance that encounter held for the writer. But the result is far from unified thematically, ranging unpersuasively in tone from the chatty to the sleepily studious. Early notes that the collection is ``about sports as an ironical cultural expression.'' And while he finds ``something inherently pagan and inherently pointless about them,'' few of the other writers make that call. In fact, essayist Phillip Lopate admits that for him sports offers an ``abstract enthrallment'' having little to do with the final score. Lopate follows sports for its ``novelistic attributes . . . the convergence of narrative, character and situation.'' In one of the more personal pieces, newcomer Teri Bostian writes of playing catch with her father and about pitching to her nonathletic boyfriend (should she show him up, or let him hit it?), relating the fist-fight her father arranged between her and a male cousin who'd been picking on her. In an otherwise bone-dry discourse, Washington University professor of English Wayne Fields notes that basketball has never held as much fascination for ``the cultural gurus'' as have baseball and ``the armored combat of football.'' This may be because basketball is ``an approachable sport, its underdressed competitors clearly human.'' The poet Vijay Seshardi echoes Early when he refers to his youthful ``pagan worship of baseball.'' Novelist Jonis Agee contributes an ill-focused piece on rodeo bull-riding (``2,000 pissed-off pounds of rock and roll meat.''), Michigan football, female fans, and her ``new obsession'' with stock car racing. Especially when compared with the Forum series' previous volume, this one seems brief (far fewer contributors), narrow (many are writing from a Midwestern perspective), and unambitious. Perhaps the writers needed something less generalized than ``sport'' to aim at.

Pub Date: April 1, 1998

ISBN: 1-55597-262-4

Page Count: 242

Publisher: Graywolf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 1998

Next book

WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Next book

SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Close Quickview