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PARSIFAL’S PAGE

Morris (The Savage Damsel and the Dwarf, 2000, etc.) serves up another engaging take on Arthurian legend. Discarding the religious accretions overlaying the Grail quest, he renders it both simpler and more mysterious. Parsifal, who appeared briefly as a rustic strongman in earlier Morris tales, must now mold himself into the Round Table's greatest knight. Yet Parsifal's transformation is secondary to that of Piers who, longing for French courtly glamour, rejects his father's efforts to teach him smithcraft, renames himself Pierre, and latches onto a passing knight as his page. When his first knight proves a disappointment, Piers reluctantly engages to tutor the uncouth Parsifal in courtesy. While Piers is astonished at Parsifal's knightly prowess, the page's snobbish insistence on strict propriety leads his master to disaster. Cast aside, Piers embarks on another quest, to redeem Parsifal's failure—and his own. While the story stands on its own, it leads to predictable territory for fans of the series, as Piers is guided by Sir Gawain, Squire Terence, and other familiar faces to value true honor and courage. Morris deftly blends bloody clashes of arms and mysterious enchantments with the many flavors (sweet, bitter, and spicy) of romance, generously seasoned with wry humor and a dash of unexpected pathos. An elegiac air overhangs Camelot, as if the gracious morning of chivalry yields to a more robust yet mundane day. In his witty Author's Note, Morris confesses that he doesn't know what the tale means; but he loves it. So will the reader. (Fiction. 10-15)

Pub Date: March 1, 2001

ISBN: 0-618-05509-6

Page Count: 240

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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