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COCO AND THE CATERPILLARS

An age-appropriate introduction to the beautiful, vulnerable monarch butterfly.

Four very hungry caterpillars meet a fowl end.

While Coco the chicken eagerly chases insects, the young narrator, a devoted gardener, spots six tiny eggs on a tall plant resembling milkweed. The child asks readers to keep the eggs a secret from Coco—a wise decision. A steady supply of snacks distracts the chicken until six monarch caterpillars hatch. When the snacks run out, the narrator dashes off for more but fails to take Coco along. The opportunistic chicken ravenously scarfs caterpillars (“Yummy! Yummy! Yummy!”) before being waylaid by a stomachache (“Urgh!”). A tear slides down the narrator’s cheek, but after caring for Coco, the child happily finds two surviving caterpillars. Coco, now averse (“Not yummy!”), leaves them alone, and we see them each make a chrysalis, emerge with rumpled wings, deposit eggs on the plant, and fly off, leaving two chrysalides behind. The brief, easy-to-follow text consists entirely of dialogue between the protagonist and Coco. Valério’s simplified, attractive forms were created with watercolor, paper collage, and colored pencil. The round-headed, brown-skinned narrator has bright button eyes. The setting is minimal; Coco and the butterflies are standouts in orange and red.

An age-appropriate introduction to the beautiful, vulnerable monarch butterfly. (Informational picture book. 3-6)

Pub Date: April 2, 2024

ISBN: 9781773067988

Page Count: 40

Publisher: Groundwood

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE PIGEON HAS TO GO TO SCHOOL!

From the Pigeon series

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.

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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.

Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)

Pub Date: July 2, 2019

ISBN: 978-1-368-04645-9

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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