by Gerda Muller & illustrated by Gerda Muller ‧ RELEASE DATE: Dec. 1, 2011
The artwork, a cross between Paul Galdone’s version (1985) and Emma Chichester Clark’s (2010), makes this a charming version...
Another "Goldilocks"? Yes, with a fresh take, unusual setting and appealing illustrations.
Goldilocks’ parents work in a circus. One evening, the caravan stops at the edge of a big forest. A path leads the girl into the woods, where she picks a bouquet of pretty flowers, but then she can’t find the path to go back. In tears, she finds herself in a clearing where there’s a funny house. She goes in, but no one is home. She tries the usual threesomes of chairs, porridge and beds. The bears return home to find her asleep in Baby Bear’s bed. Startled, she grabs her shoes and runs outside. Daddy Bear shouts after her, “Don’t you know to knock first if a door is closed?” Goldilocks finds the path to the caravan and from then on “always remembered to knock first.” The engaging illustrations of Goldilocks in her vivid red sweater and polka-dot skirt are painted on ecru paper, adding a woodsy flavor. Textured details such as the wooden, bear-shaped chairs, umbrellas with carved bear heads, bee patterns on the bedspreads and three-little-pig piggy banks enhance the whimsy. Even the white splotch under Mama Bear’s chin suggests a fuzzy necklace.
The artwork, a cross between Paul Galdone’s version (1985) and Emma Chichester Clark’s (2010), makes this a charming version you can’t bear to be without. (Picture book/fairy tale. 3-7)Pub Date: Dec. 1, 2011
ISBN: 978-0-86315-795-0
Page Count: 40
Publisher: Floris
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Gerda Muller ; illustrated by Gerda Muller ; translated by Polly Lawson
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by Kobi Yamada ; illustrated by Natalie Russell ‧ RELEASE DATE: March 1, 2017
A sweet, soft conversation starter and a charming gift.
Awards & Accolades
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Google Rating
New York Times Bestseller
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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