by Gitte Spee ; illustrated by Gitte Spee ; developed by The House of Books B.V. ‧ RELEASE DATE: April 12, 2013
It’s a pleasant-enough story, but it’s not quite effective as a way to draw young readers into a museum experience
Two animal friends explore the recently renovated grand Rijksmuseum in Amsterdam.
Digging a tunnel, Mole accidentally discovers a beautiful building and brings his friend Monkey to explore the treasures inside. A chase ensues when a guard spots them and angrily shouts, “The museum is closed. And animals aren’t allowed in here!” As the two friends flee, they bump into an ornate 17th-century Delft vase, are helped by the little angel statue called Amor and otherwise encounter more precious works of art. Options include audio narration in English, Dutch, French and German, a choice of visible or invisible text, and automatic or manual page turns. Interactive features are minimal but suitable for young children. This storybook app works better as a charming story than an introduction to the recently renovated Rijksmuseum, though. While the colophon at the end provides young readers with information about each of the famous works of art, the emphasis is on the animal friends’ adventure. Spee’s illustrations capture the essence of the artwork but are impressions rather than realistic renditions, unlike Clara Button and the Magical Hat Day, by Amy de la Haye, illustrated by Emily Sutton and developed by MAPP Editions (2012), which captures readers’ interest with striking photographs of the artwork in the backmatter.
It’s a pleasant-enough story, but it’s not quite effective as a way to draw young readers into a museum experience . (iPad storybook app. 4-8)Pub Date: April 12, 2013
ISBN: N/A
Page Count: -
Publisher: The House of Books
Review Posted Online: June 15, 2013
Kirkus Reviews Issue: July 1, 2013
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by Ulf Nilsson ; translated by Julia Marshall ; illustrated by Gitte Spee
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: April 1, 2023
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
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