A compact but moving collection that will stay with readers long after they close the book.
Morrow highlights human connections and love in this collection of short stories.
The story “Waxwings” describes a ritual between birds in which their “mutual and reciprocal” custom of passing fruit to one another is borne not simply out of necessity but also love; this first story sets the tone for the rest of the collection. In these five pieces of short fiction, the author examines the depth of love in relationships both romantic and familial. The titular story, “Vacation,” follows Thomas and Grace Kemp, a couple touring the Grand Canyon. Thomas has recently developed a proof that explains the existence of God. While expounding on his ideas in a lecture, Thomas notices an extremely tall man, who states, “I miss faith.” Later, at the Grand Canyon, he meets the same mysterious man and has a horrific discussion with him that rattles Thomas. In this piece, Morrow examines the concept of faith, as well as the depth of love between Thomas and Grace. A similarly evocative story, “Mr. Coe’s Garden,” concerns Curtis, a teenager in need of some spare cash who helps his neighbor, Mr. Coe, create a garden in his backyard. Over time, Mr. Coe’s idiosyncrasies, along with his eccentric plans for the garden, start to make sense when a buried time capsule is uncovered, leading to an emotional resolution. The collection’s standout story is “Navigation.” Lewis is a young man who gets lost so easily and so often that he draws intricate maps of different places to guide him. In college, he meets Robin, and they fall in love. When they vacation in Italy, Lewis thinks to himself, “In her I am never lost. By her I am always found.” Though Morrow’s stories seem brief and simple, there is a depth of feeling displayed throughout. There is also a slight irreverence to the characters, leading to dashes of humor that supplement the emotional gravitas of each story. The scenarios feel lived-in and real, even when something mystical might be taking place. This is an admirable and affecting anthology.
A compact but moving collection that will stay with readers long after they close the book.Pub Date: Nov. 9, 2024
ISBN: 9798888702680
Page Count: 217
Publisher: En Route Books & Media
Review Posted Online: Jan. 15, 2025
Kirkus Reviews Issue: March 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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