by Glenys Nellist ; illustrated by Sally Garland ‧ RELEASE DATE: Oct. 6, 2020
A warm wintertime read with a message for any time of year.
Little Mole has a great big heart.
Little Mole has found an enormous mushroom in the woods and decided to give it to his beloved Mama for Christmas. After he works hard to pick it, he encounters several woodland creatures in need as he carries the large, red-and-white mushroom home to his mother. Bit by bit, he gives away parts of the stem to hungry Little Squirrel and to tired Little Mouse, who needs somewhere soft to rest his head. Then he gives the cap to Little Chipmunk to use as an umbrella. By the time he reaches his mother, Little Mole has only a tiny piece of the mushroom left for her. She is nonetheless pleased and says she will make them soup for their Christmas dinner. Her gratitude only increases when Little Mole sadly tells her what happened to the rest of the big mushroom. A proud Mama says, “your kindness is the biggest, most perfect Christmas gift I have ever received,” which provides Little Mole with affirmation, reassurance, and a holiday lesson about the importance of generosity. The softly textured illustrations reinforce the gentle coziness of the story. The animals are anthropomorphic, though only Little Mole and Mama are fully dressed; most of the animals Little Mole encounters wear nothing, underscoring their relative neediness next to the moles’ evident prosperity. (This book was reviewed digitally with 9.3-by-18.6-inch double-page spreads viewed at 39.1% of actual size.)
A warm wintertime read with a message for any time of year. (Picture book. 3-6)Pub Date: Oct. 6, 2020
ISBN: 978-1-5064-4875-6
Page Count: 32
Publisher: Beaming Books
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Glenys Nellist ; illustrated by Elena Selivanova
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Alastair Heim ; illustrated by Migy Blanco
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Peter Brown ; illustrated by Peter Brown
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