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REVOLUTION FROM WITHIN

A BOOK OF SELF-ESTEEM

In the wake of such feminist calls-to-arms as Susan Faludi's Backlash (p. 1133), Paula Kamen's Feminist Fatale (p. 1137), and Naomi Wolf's The Beauty Myth (p. 389), Steinem's inwardly turned examination of how men and women sabotage themselves by suppressing the ``child within'' appears decidedly retro. Nevertheless, her reflections on her own and others' spiritual struggles may give a new generation of activists pause for further reflection. In the wake of Ms. magazine's sale and her own resignation as its editor, Steinem found herself, she says, with the time and inspiration to write a book she'd had in mind for years—a study of the psychological and societal factors that negatively influence self-esteem. The result, she tells us, was a heavily footnoted, scholarly report whose reliance on experts' opinions revealed Steinem's own deep lack of confidence, and inspired her to toss away her original manuscript and come out of the closet herself. Recounting her own early life as the daughter of a factory worker who divorced his mentally ill wife when Gloria was only ten, Steinem details the natural progression from a co-dependent relationship with her mother to an unconscious adult sense of being ``co-dependent with the world.'' Forced by her need to wall off her past, she led a life of outer-world confrontations until, through therapy undertaken as research for her book, she began to master her ``inner child.'' By including others' tales of self- actualization through a ``revolution from within''—the creation of a winning chess team in Spanish Harlem, the transformation of a housewife into an entrepreneur, etc.—Steinem illustrates how others' psychic journeys may lead in much different directions than her own. Still, much of what is recommended here will strike many as old hat—and, in the end, more interesting as an update on the feminist's life than as a practical aid to others. A piquant counterpoint to recently revitalized, outer-directed feminist fashion.

Pub Date: Jan. 21, 1992

ISBN: 0-316-81240-4

Page Count: 368

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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