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OLD SCHOOL

Wry, provocative, and shot through with cogent issues.

A 12-year-old raised by senior citizens finds middle school a strange new world.

Korman’s cleverly chosen title plays on several themes explored in this outing. Left by his parents in the care of his grandmother and other residents of a retirement community, Dexter has acquired anachronistic manners, speech, and dress—and a broad education that sets him apart when social services force him into seventh grade. He must adjust—and so must his teachers and classmates at the run-down small-town school. They initially regard him as a weird outsider but eventually accept and even value his quirks and abilities. When Dexter uses a Swiss Army knife to repair a money-eating snack machine and falls afoul of the school’s zero-tolerance policy, his suspension touches off a wave of student protests that spill over into a school board meeting to debate the ongoing neglect of necessary school maintenance. Meanwhile, Dexter wrestles with conflicting feelings about whether he wants to be reinstated. The author stocks his cast of seniors with smart, capable elders and presents a picture of retirement-village life as practically paradisical. Conversely, though he does take a few swipes at the curriculum, he provides Dexter (and readers) with enough good reasons to go to school to make his protagonist’s eventual decision genuinely tough. Although names cue some ethnic diversity in the student body, the cast largely reads white, and race as a factor in draconian school disciplinary action goes unexplored.

Wry, provocative, and shot through with cogent issues. (Fiction. 9-13)

Pub Date: Jan. 14, 2025

ISBN: 9780063238145

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 11, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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