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THE PRINCE AND THE PEE

Hap-pee-ly–ever-after reading fun.

Laugh-out-loud potty humor.

Gormley’s story mines fairy-tale tropes as well as toilet humor to deliver laughs. It opens with Prince Freddie on holiday, sunbathing and drinking lemonade. His talking horse, Sir Rushington, interrupts his vacation to tell the prince a dragon is laying siege to Castle Crumbly. After Freddie “gulp[s] down the very last drop of his lemonade,” they’re off! Alas, the horse’s “Up and down. Up and down. Up and down” trot, not to mention the bodies of water, a waterfall, and rain that Mould illustrates in his uproarious acrylic illustrations, soon make the armor-clad Freddie painfully aware of his full bladder. Repeated pit stops for him to relieve himself are interrupted by a terrifying ogre, a princess in a tower (“How very awkward,” sympathizes Sir Rushington), and a very long bathroom line formed by the Big Bad Wolf, Puss in Boots, and the Seven Dwarfs. (Adult female caregivers will note the irony that every single person in this line is implied male.) When they finally arrive at Castle Crumbly, Prince Freddie is so desperate that he plows right by the dragon, who sets the castle ablaze. Luckily, Prince Freddie eschews the throne room and stands atop a turret instead, well-positioned to douse the flames below: “And suddenly there was an almighty sizzle.” Freddie and all other humanoids save the green ogre are white.

Hap-pee-ly–ever-after reading fun. (Picture book. 3-8)

Pub Date: June 26, 2018

ISBN: 978-0-7636-9916-1

Page Count: 32

Publisher: Nosy Crow

Review Posted Online: March 26, 2018

Kirkus Reviews Issue: April 15, 2018

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AFTER THE FALL (HOW HUMPTY DUMPTY GOT BACK UP AGAIN)

A validating and breathtaking next chapter of a Mother Goose favorite.

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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.

An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.

A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62672-682-6

Page Count: 45

Publisher: Roaring Brook Press

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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BEDTIME FOR BATMAN

From the DC Super Heroes series , Vol. 1

This should send Dark Knight fans flying to the Batcave—or the bedroom.

Holy bedtime, Batman!

In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”

This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)

Pub Date: Aug. 1, 2016

ISBN: 978-1-62370-732-3

Page Count: 32

Publisher: Capstone Young Readers

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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