Tang would like to take the memorization out of the multiplication tables and insert some understanding. Play with the numbers, he suggests, get to know them and their relationships; use a little common sense. Here, critters of all stripes break the tables down into more digestible bits. Set in splashy, saturated color, zippy little quatrains introduce each table and explain his approach: “Two is very fast and fun, / quickly double and you’re done. / What’s that you say, be more precise? / Okay then, just add it twice.” When the tack taken is straightforward and simple enough, it reveals the workings of multiplication, as when the fours tables are understood as doubled twice, or the fives tables as half of the tens. Sometimes, though, things can get a little unwieldy: “Seven doesn’t take much time, / even though it is a prime. / Here is all you have to do, / first times 5 then add times 2.” That’s a lot to keep in your head, and memorization may seem less trouble. But Tang’s hope is that through these math autopsies, readers will grasp the mechanics at work and bury their math anxieties. (author’s note) (Picture book/nonfiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-439-21044-5
Page Count: 32
Publisher: Scholastic
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2002
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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