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SHAME THE STARS

Pura Belpré winner McCall delivers an ambitious, sardonically relevant historical novel—a must-read, complex twist on a...

In the early 1900s in Texas, the Mexican Revolution crosses the border, dividing the brown-skinned gente (people) from the white authority of the Texas Rangers.

Eighteen-year-olds Joaquín del Toro and Dulceña Villa love each other; however, after their families fall out, they must resort to keeping their relationship a secret. The del Toros own a large estate with cattle and farmland and are friendly with Capt. Munro, the local leader of the Texas Rangers. The Villas own the print shop and are publishers of El Sureño, the local periodical considered seditious by the town’s authorities. Told from Joaquín’s point of view, the novel spans three and a half years of corrupt agendas, power struggles, violence, racism, and loss. Scattered throughout are well-placed, nonitalicized Spanish words and phrases, both archival and fictional newspaper clippings, letters exchanged between hotheaded Joaquín and no-nonsense Dulceña, and Joaquín’s poetry-filled journal entries, personalizing and adding context to the overall political conflict. Far beyond a love story, the novel successfully tackles all kinds of hardship, including sexual violence and lynching; the historical conflict between the Rangers and the Tejanos feels uncannily contemporary. Women are the hidden heroes, because they must be, the hearts of both the revolution and the novel.

Pura Belpré winner McCall delivers an ambitious, sardonically relevant historical novel—a must-read, complex twist on a political Shakespearean tragedy. (cast of characters, author’s note, further reading, sources, glossary) (Historical fiction. 12 & up)

Pub Date: Sept. 1, 2016

ISBN: 978-1-62014-278-3

Page Count: 320

Publisher: Tu Books

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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KENT STATE

A well-researched and deeply moving portrait of an iconic moment in U.S. history.

A free-verse treatment of the killing of four college students during campus protests over the Vietnam War.

College campuses were often flashpoints in the struggle against the United States’ involvement in the Vietnam War. In May 1970, protestors at Kent State University in Ohio were met by the Ohio National Guard, culminating in the deaths of four unarmed college students and injuries to nine others. The university and the small town surrounding it were all affected by the escalating tensions and disagreement over how to handle the issues. The governor’s strict approach was welcomed by some but resisted by many on campus. Each of the deceased students is described in detail, including how they came to be in the line of fire. Readers hear from a guardsman and a town resident as well as students, their voices showing how perspectives differed depending on individuals’ roles. Especially compelling are the words of Black students, many of whom stayed away from the demonstration, believing, correctly, that the guardsmen had live ammunition. The structure serves to re-create the taut atmosphere of the days leading up to the tragedy, and various perspectives are represented by different fonts and typeface, furthering the sense of polarization. The extensive author’s note extends the narrative, engaging readers in the author’s process and the story’s impact.

A well-researched and deeply moving portrait of an iconic moment in U.S. history. (Verse novel. 12-18)

Pub Date: April 21, 2020

ISBN: 978-1-338-35628-1

Page Count: 144

Publisher: Scholastic

Review Posted Online: Jan. 18, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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