 
                            by Gwendolyn Hooks ; illustrated by Simone Agoussoye ‧ RELEASE DATE: Oct. 1, 2019
A worthwhile story poorly told.
A little-known true story of a slave sheds new light on George Washington and his family.
Ona Maria Judge was born a slave on Mount Vernon, the Virginia plantation of George Washington, commander of the Continental Army during the American Revolution. Ona’s mother, Betty, served as the Washington family seamstress and imparted needlework skills to Ona, which enabled her to escape harsh fieldwork conditions by becoming a house slave. When Washington was elected president, the family relocated to New York City, moving Ona—now Martha Washington’s personal slave—her brother Austin, and five other slaves with them in 1789. After a return to Mount Vernon, the family moved again to Philadelphia, the new capital. With the abolitionist movement gaining momentum, Ona realized the Washingtons would not free her; she would have to take her freedom. In 1796, when Mrs. Washington promised Ona as a wedding gift to her granddaughter, Ona decided to escape, assisted by the Rev. Richard Allen, a free black man, and others, to New Hampshire. The narrator emphasizes just how hard the Washington family tried to force Ona to return to them, using deception whenever possible. While this story offers important historical information, it is text-heavy, with an accretion of distracting details. The naïve-style illustrations are colorful but inconsistent, particularly in their evocation of the period, which will also limit this book’s appeal to children.
A worthwhile story poorly told. (author’s note, bibliography) (Picture book/biography. 6-9)Pub Date: Oct. 1, 2019
ISBN: 978-1-5435-1280-9
Page Count: 40
Publisher: Capstone Editions
Review Posted Online: Aug. 11, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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                            by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Chris Paul & illustrated by Frank Morrison
 
                            by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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