Arab writer al-Shaykh (Women of Sand and Myrrh, 1992) details a cool, almost clinical journey to the heart of a young woman imprisoned within herself by family deceit—and liberated finally amidst the violence of war-torn Beirut. The story this time—reflecting the author's feminist sympathies, as well as her preoccupation with the contemporary Arab world—concerns Lebanese Zahra, who as a child had been used as cover for her mother's liaisons with another man. After a severe beating from her brutal father, who suspects Zahra's role in his wife's deceit, the formerly bright student retreats into herself, obsessively scratches her pimple-laden face, and embarks on a meaningless affair with a married man. She has two abortions and a nervous breakdown before her family sends her off to West Africa, where an uncle once active in Lebanese politics now lives in exile. The homesick uncle is delighted to see her, but Zahra, frightened by the intensity of his attentions, hides out in the bathroom (``the only thing I have loved in Africa'') and in desperation accepts the marriage proposal of a local Lebanese man. The marriage is a disaster: Zahra becomes even more withdrawn, then returns to a Beirut devastated by war. As the war intensifies, her parents move to their native village, and Zahra, struggling to survive, falls in love for the first time. But her lover is almost certainly the lone sniper—``the only god of death, the only threat in their locality''—who shoots innocent passersby from a nearby apartment roof. As the two make love, little is said, and for the first time Zahra wants a normal life. But it's too late, as she—left only with ``promise of menace''—becomes a victim of the city's mindless violence, personified by the sniper. A powerfully haunting portrait of innocence destroyed by violence both at home and in the larger world. More than just a novel about the contemporary Middle East.
Pub Date: Jan. 1, 1994
ISBN: 0-385-47130-0
Page Count: 192
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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