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HOME IS...

A subtle, varied, lyrically told exploration of the concept.

In this gentle, expository piece, a rhyming text merges with vibrant illustrations to explore multiple interpretations of the meaning of home.

Home is particular for both humans and creatures of the natural world. Alternating and opposing views prove the point. “Home is land, home is sky. / Home is wet, home is dry.” A rural river scene reveals a bear emerging from its den to find breakfast in the fish-filled river, birds flying above through a clear, sunny sky, a beaver observing from its dam, and a small cottage sitting on the far bank. The contrasting views continue: “Home is dark, home is bright. / Home is day, home is night.” The dark undersea world is shown opposite a bright tropical reef to illustrate the first half of the couplet; a rooster below a beaming sun parallels the night flight of an owl through a city’s star-filled, moonlit sky for the second. The simplicity of the text is significantly enhanced by the soft-toned, complex, and engaging paintings that offer differentiating vistas as the concept of home encompasses the enumerated examples. Some will be obvious in their meaning—“roomy”/“snug,” “floating”/“still,” “far”/“near”—while others will be a bit obscure. All will encourage discussion and analysis. “Forever” versus “on loan” is limned with a turtle opposite a hermit crab. Finally, “Home is anywhere you love” returns to the river scene at night with a depiction of comfort, warmth, and peace as the animals sleep and a window-lit cottage twinkles in the distance. (This book was reviewed digitally.)

A subtle, varied, lyrically told exploration of the concept. (Picture book. 3-5)

Pub Date: Aug. 3, 2021

ISBN: 978-1-5344-2176-9

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 1, 2021

Kirkus Reviews Issue: June 15, 2021

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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