A subtle, varied, lyrically told exploration of the concept.
In this gentle, expository piece, a rhyming text merges with vibrant illustrations to explore multiple interpretations of the meaning of home.
Home is particular for both humans and creatures of the natural world. Alternating and opposing views prove the point. “Home is land, home is sky. / Home is wet, home is dry.” A rural river scene reveals a bear emerging from its den to find breakfast in the fish-filled river, birds flying above through a clear, sunny sky, a beaver observing from its dam, and a small cottage sitting on the far bank. The contrasting views continue: “Home is dark, home is bright. / Home is day, home is night.” The dark undersea world is shown opposite a bright tropical reef to illustrate the first half of the couplet; a rooster below a beaming sun parallels the night flight of an owl through a city’s star-filled, moonlit sky for the second. The simplicity of the text is significantly enhanced by the soft-toned, complex, and engaging paintings that offer differentiating vistas as the concept of home encompasses the enumerated examples. Some will be obvious in their meaning—“roomy”/“snug,” “floating”/“still,” “far”/“near”—while others will be a bit obscure. All will encourage discussion and analysis. “Forever” versus “on loan” is limned with a turtle opposite a hermit crab. Finally, “Home is anywhere you love” returns to the river scene at night with a depiction of comfort, warmth, and peace as the animals sleep and a window-lit cottage twinkles in the distance. (This book was reviewed digitally.)
A subtle, varied, lyrically told exploration of the concept. (Picture book. 3-5)Pub Date: Aug. 3, 2021
ISBN: 978-1-5344-2176-9
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Let these crayons go back into their box.
The Crayons return to celebrate Easter.
Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)
Let these crayons go back into their box. (Picture book. 3-5)Pub Date: Feb. 7, 2023
ISBN: 978-0-593-62105-9
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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