A symbiotic, child-affirming union of poignant verse and charming illustrations: lovely, indeed.
A beloved collection of 23 poems from the Netherlands receives an English translation.
The poems, unpunctuated and uncapitalized except for the word I, convey the perspective of an often solitary light-skinned, blond-haired child. They tend their large contingent of toys, stuffies, and dolls, indoors and out, while astutely observing nature, their family, and the world around them. Törnqvist’s sensitive illustrations create a world around the child, visually celebrating their determined agency. Ineffability is a recurrent theme, as in “Invisible”: “sighs are invisible / just like the wind / night is invisible / when daytime begins / …but what I make up / is all visible / when I close my eyes.” In “Real” the child squeezes their sleeping mom’s ear “to tell her how I feel / wake up, mom/ I want a mom who’s real.” Törnqvist extends this beautifully telegraphed child’s-eye experience of parental unavailability in the bedroom tableau: The many draped and scattered toys tangle with mom’s castoff bra and clothing, suggesting both maternal exhaustion and a long morning of solitary play. “Freesia” is both ode and antidote to a baby’s bouts of stinkiness: “in a vase beside your bed / change it every hour / even if your diaper’s full / you’ll smell like a flower.” The child hoists the flower, leading a parade of marching toys, everyone’s noses securely pinched. Other poems investigate animal tracks, grandparents, stars, clouds, dreams, new shoes, and more. (This book was reviewed digitally.)
A symbiotic, child-affirming union of poignant verse and charming illustrations: lovely, indeed. (Picture book/poetry. 3-8)Pub Date: March 29, 2022
ISBN: 978-1-64614-128-9
Page Count: 56
Publisher: Levine Querido
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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