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GOD'S CHILDREN

uncompromisingly suspenseful tale of heroic adventure. ($150,000 ad/promo; radio satellite tour)

Another penetrating dissection of the passion and terror of warfare from the modern master of life-under-combat, this time

on a snowbound Slovakia, where a mixed bag of US Army infantry, acting as NATO peacekeepers, cope with murderous "ethnic cleansers"—and a far more threatening conflict between commanding officers. After examining battlefield bravado in American history, Coyle goes back to the near future, picking up the adventures of Army Lt. Nathan Dixon, son of his series hero Scott Dixon (Code of Honor, 1994, etc.). Nathan's cushy job as a battalion staff officer, is interrupted when he’s ordered to accompany a platoon led by greenhorn Lt. Gerald Reider on what is supposed to be a routine ’show of force" mission. Sparks fly long before the two lieutenants leave their battalion base: The product of the Virginia Military Institute and his father's hard-won wisdom, Dixon is put off by Reider, an elitist martinet fresh out of West Point. Meanwhile, Reider views Dixon's presence as a meddlesome imposition on his command. The two are barely speaking as their platoon trudges off into Slovakian hills to rendezvous with a trio of American tanks 25 kilometers away. Their orders are ambiguous: protect civilians, don't start any conflicts, be prepared to return fire if fired on. Coyle uses the escalating squabbles between the two men to illustrate contrasting styles of leadership, delivering intricate if long-winded asides about how crucial a commander's slightest twitch can be in maintaining control. Reider makes several mistakes, barely escaping calamity. When Dixon finds the burning hulk of a US tank, and can't contact the base on the platoon radio, he concludes that war has finally broken out. The platoon is then torn apart after a series of heartstopping, brutally realistic firefights, and the two officers, separated by hostile forces, must fight their way back any way they can. A grunt's life that, despite too many lectures on military mores, and a distracting romantic subplot, succeeds as an engrossing,

uncompromisingly suspenseful tale of heroic adventure. ($150,000 ad/promo; radio satellite tour)

Pub Date: Feb. 1, 2000

ISBN: 0-312-86296-2

Page Count: 320

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2000

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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