As illuminating as a hand grenade, and just as powerful.
Ben Bright’s senior year seems a prelude to a gloriously successful life, with college, loving girlfriend and an acting career spread out in front of him.
Except for his plan to join the army first. Stubbornly committed to being the patriot he thinks ethics demand, Ben can’t explain it to anyone—especially not Ariela, the girl he plans to marry when he returns. As Ben departs for basic training and then serves in Iraq, Ariela heads to college, and best friend Niko, along with Mr. and Mrs. Bright and autistic younger brother Chris hold to normality. When the inevitable call comes, informing them that Ben is injured, no one knows exactly what to do or how to help. With the effective use of italics to indicate Ben’s thoughts, the contrast between what the outer world sees and how he processes it is clear. Progress happens, but it’s slow, and the toll on all is plain. Chris’ reactions are particularly unblunted. In a spare 148 pages, the complexity of the aftereffects of modern war is laid bare. The tight focus on one soldier does not oversimplify but rather captures the human drama in the personal: The Brights’ marriage is more than challenged, Ariela is pulled away by her college friends and Chris’ restricted, defined universe has to expand to encompass Ben’s new condition. The book's power is in the honesty and hope conveyed.
As illuminating as a hand grenade, and just as powerful. (Fiction. 12 & up)Pub Date: Feb. 7, 2012
ISBN: 978-1416938958
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Jan. 1, 2012
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.
A family’s secrets rise to the surface as a young man investigates a suspected murder.
Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.
A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)Pub Date: Oct. 28, 2025
ISBN: 9781250376299
Page Count: 368
Publisher: Feiwel & Friends
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
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