Never underestimate the power of a good short story to lift your spirits.
In her first story collection since 1988, Schulman peeks into the romantic lives of a loosely connected community of characters.
“Many moons ago, my beloved husband, Miguel Herrera—have you heard of him?—gave an earthshaking performance in an event space in the East Village, Henderson Square (actually our friend Hattie Henderson’s studio apartment), which completely changed our lives.” This is the kind of sentence that inspires you to Google “Helen Schulman husband,” be reminded that she’s married to humorist Bruce Handy, and slap your forehead. Right, it’s fiction. Anna Herrera’s tale of her husband Miguel’s appearance in a same-sex performance of Sam Shepard’s Fool for Love, the play that gives both story and collection its title and theme, is actually the account of how she met her second husband, a marriage we return to in the last story in the book, at which point Herrera is just an “ethnic surname” she picked up “in a short heartbreak of a marriage, a name that has stood me well all these years, grant- and prizewinning-wise.” Also introduced in the first story is Anna’s sixth grade boyfriend, Hershleder, who becomes the antihero of the saddest story, “The Revisionist.” (Schulman notes in an afterword that both this and “P.S.” grew into novels in the years since their creation, making this book interesting for archeologists of her career.) We also meet an agent named Jeannie Elbazz, “who reps Jake Kamins”—both Jeannie and Jake return in “My Best Friend,” a story in which lovelorn foolery reaches dizzying heights. Without attempting to be a novel in stories, the collection is free to go off on wild tangents, such as a story narrated by an evil baby, Lucien H., and a tale of forbidden love with a married Orthodox rabbi in Paris. In multiple stories, people come back from the dead, and everywhere, there are sentences to make you laugh: “Thank God she’d grown up at a time when lunatic sexual behavior was expected; she’d been able to have her cake and eat it whenever she wanted without any damage to her reputation.”
Never underestimate the power of a good short story to lift your spirits.Pub Date: July 8, 2025
ISBN: 9780593536254
Page Count: 208
Publisher: Knopf
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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