The wise men were not the only ones who gave gifts to the newborn Jesus. From the smallest bee, who gives beeswax to light the darkness, to the gentlest donkey, who carries Mary to Bethlehem, the creatures each use their own special qualities to protect, shelter, warm, and calm the precious baby. Ward’s (The Tin Forest, below, etc.) inspiration was the traditional French carol “The Friendly Beasts,” the words of which can be found on the final page. Though she keeps the familiar format and rhythm of the verses (“ ‘I,’ said the donkey, shaggy and brown”), she includes animals that are not typically associated with the Nativity. Lion, bear, and mongoose watch over the child, peacock’s bright tail guides travelers during the day, and woodworm ceases making holes in the stall where the baby lies. Oversized pages (11 x 11) allow Ward plenty of space to luxuriate in the glories of her art. The beautifully rendered animals seem capable of stepping off the pages—they have wonderful texture and emotional expression. The liberal use of metallic gold color adds an elegance and warmth to illustrations already rich in color. The two manger scenes where the beasts watch over the unseen child could almost be pages from an illuminated manuscript as they are filled with glowing light. The story is a gentle tribute to the animals’ role in the Nativity, and a reminder that even the smallest and lowliest have gifts to give that are fit for a king. (Picture book. 4-8)
Pub Date: Aug. 1, 2001
ISBN: 0-7613-2408-9
Page Count: 40
Publisher: Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2001
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
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