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AN ELDERLY LADY MUST NOT BE CROSSED

STORIES

A guidebook to growing old without a single regret for victims who deserved just what they got.

Six more adventures of Maud, the retired language teacher who meets life’s vicissitudes with a refreshingly homicidal approach.

En route to a luxury vacation in South Africa, Maud recalls half a dozen earlier times when her generally untroubled life was threatened by someone who ended up coming to grief. “An Elderly Lady Begins To Remember Her Past” rehashes her latest foray into criminal violence and her satisfying escape from Tursten’s franchise detective, Inspector Irene Huss. “Little Maud Sets a Trap” takes her back to her childhood, when she sticks up for her neurasthenic older sister, Charlotte, by taking condign, though not yet murderous, revenge on the boys who’ve bullied her. “Lancing a Boil” shows how Maud, now a substitute teacher, deals with her demotion when the regular teacher she’s replaced seeks to return to the classroom. “The Truth About Charlotte” recalls Charlotte’s sad demise, which leaves Maud much wealthier and freer to accrue an even larger income and begin her world travels. Maud smartly relieves her longtime neighbor, seamstress Elsa Petrén, of the problems her wastrel son has stuck her with in “The Peter Pan Problem.” And when she finally arrives at her destination in “An Elderly Lady Takes a Trip to Africa,” the longest and most deliberately plotted of these stories, she gets to display an unaccustomed generosity, even magnanimity, to an impoverished family brought even lower by a crime Maud is more than happy to avenge. Readers may want to think twice before sampling the appended naughty-and-nice cookie recipes.

A guidebook to growing old without a single regret for victims who deserved just what they got.

Pub Date: Oct. 5, 2021

ISBN: 978-1-641-29167-5

Page Count: 272

Publisher: Soho Crime

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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HOW TO SOLVE YOUR OWN MURDER

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

An aspiring mystery writer sets out to solve her great-aunt’s murder and inherit an estate.

Twenty-five-year-old Annie Adams has never met her great-aunt Frances, who prefers her small village to busy London. But when a mysterious letter arrives instructing Annie to come to Castle Knoll in Dorset to meet Frances and discuss her role as sole beneficiary of her great-aunt’s estate, Annie can’t resist. Unfortunately, she arrives to find Frances’ worst fears have come true: The elderly woman—who’s been haunted for decades by a fortuneteller’s prediction that this will happen—has been murdered, and her will dictates that she will leave her entire estate to Annie, but only if Annie solves her killing. It’s a cheeky if not exactly believable premise, especially since the local police don’t seem terribly opposed to it. Annie herself is an engaging presence, if a little too blind to the fact that she could be on the killer’s to-do list. Her roll call of suspects is pleasingly long, including but not limited to the local vicar, a one-time paramour of her great-aunt’s; a gardener who grows a lot more than flowers; shady developers and suspicious friends from Frances’ past; and Saxon, Annie’s crafty rival, who inherits the estate himself if he manages to solve the case first. Annie pieces together clues through readings of Frances’ journal, but the story eventually runs aground on the twin rocks of too much explanation and a flimsy climax. Cute dialogue gives way to lengthy exposition, and by the time Frances’ killer is revealed you may well be ready to leave Annie, Dorset, and Castle Knoll behind for the firmer ground of reality. Fans of cozy mysteries are likely to be more forgiving, but if you cast a skeptical eye toward amateur sleuths, this novel won’t change your mind about them.

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

Pub Date: March 26, 2024

ISBN: 9780593474013

Page Count: 368

Publisher: Dutton

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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