An extraordinary affirmation of life as the late French journalist Guibert, writing in the final stages of AIDS, records with moving frankness the reprieve granted him by the experimental drug DDL. In his previous book, To the Friend Who Did Not Save My Life (1991), Guibert candidly chronicled the passage of AIDS through his body, and now, if not reconciled to dying, he at least relishes the temporary lease the new drug affords him. Given only to those in the final days of the disease, it is drug of compassion rather than aggression, and, taken together with the occasional Prozac, enables Guibert to start writing again, even to travel to his beloved island of Elba. Still, there is a problem, since supplies are limited; even Guibert's first batch was illegally acquired from a doctor tending a near-death ballet dancer. Guibert admits to being troubled by this, but his scruples are overcome by his improved health. Once unable to eat, leave his apartment, or write, he can now live more fully: ``I wasn't euphoric, but the threat of absolute black despair had dissipated a little, it was there underneath but was no longer vibrating in that intolerable way.'' Obliged still to undergo endless medical procedures, many excruciatingly painful, he categorizes his various doctors as brutal ``pig-stickers'' or—as in the case of the beautiful Claudette—as kind, gentle friends. He notes ironically that his earlier book brought him luck—``it had a success that comforted me at an intermediate stage of my illness.'' And he observes now that ``everything in life is negotiable''; DDL has been yet another instrument for negotiating more time and strength. Guibert's great passion for life and literature illuminates this exemplary—and deceptively cool—piece of clinical reportage with a fierce and incandescent light.
Pub Date: March 1, 1994
ISBN: 0-8067-1352-5
Page Count: 200
Publisher: Braziller
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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