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THE HARBOR BOYS

A MEMOIR

Superbly written and nuanced narrative in which Hamilton’s experiences coalesce to overcome a burden of unjustified guilt.

Coming of age in the 1960s, the author struggles with the post–World War II angst of his German mother, the stern regimen of an Irish patriot father and the violent troubles that rend Ireland.

Hamilton’s initial burden, he recalls from this particular summer in his early teens, is the need to escape the stigma of having a German mother. Routinely hailed as “the Nazi” by local boys, he tries to fit in by somehow cloaking his identity—he’s always on the run, he recalls, “like Eichmann in Argentina.” There is no respite at home, ruled by a father who, despite his own English ethnicity, is obsessed with the loss of Irish identity under British repression, plus ongoing troubles in the North, and insists that only Gaelic be spoken by the family in the house. This, of course, precludes such things as listening to John Lennon. The author’s ultimate escape becomes the harbor where, with his friend and mentor Packer, he picks up summer work helping out Dan Turley, a tough old man who rents skiffs to tourists and goes out fishing in his own open boat. At the harbor, he feels, everyone has a new identity: “It’s goodbye to the killing news on the radio, goodbye to funerals and goodbye to crying. It’s goodbye to flags and countries.” But Turley is a Protestant, originally from the North; he has local enemies, in particular a Catholic fisherman named Tyrone. Their ongoing feud draws in Hamilton and Packer, who scheme ways to prove it is Tyrone who is cutting loose and vandalizing Turley’s boats. The somewhat mysterious drowning of Tyrone, whose body washes up from the sea, puts an end to the affair but brings the author a revelation of having finally “won” his own innocence by, essentially, growing up.

Superbly written and nuanced narrative in which Hamilton’s experiences coalesce to overcome a burden of unjustified guilt.

Pub Date: Dec. 1, 2006

ISBN: 0-06-078467-9

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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