by Hyewon Yum ; illustrated by Hyewon Yum ‧ RELEASE DATE: Jan. 21, 2025
A sweet, uplifting take on facial difference, friendship, and self-acceptance.
A child feels self-conscious about the birthmark on her forehead.
Mom says the birthmark is an angel’s kiss, and cousin Charlie says it’s a superpower. Still, the unnamed protagonist wonders how she’d look without the mark, which she’s named Toto. And when strangers ask about Toto, the narrator’s face reddens, and she “cannot say a word.” Pink-hued Toto and the narrator’s crimson cheeks stand out against the sepia-toned backdrops, emphasizing the narrator’s feeling that “sometimes people only see Toto, not me.” So when Mom proposes concealing Toto under the child’s bangs before school starts, she agrees. At school, she quickly befriends a girl named Niko. But when the narrator hangs upside down from the monkey bars, Toto is revealed. To the protagonist’s astonishment, Niko thinks she’s “just extraordinary”—“The birthmark on your face means that you have another life!” Later, the narrator muses that without Toto, “I might not look like ME at all. And I might not feel extraordinary.” Using short sentences and appealing kid logic, Yum, who based the story on a friend’s daughter’s experience and her own childhood memories of fielding questions about a birthmark on her leg, introduces young readers to the idea of facial difference. The narrator’s and Niko’s doll-like faces are endearing, conveying joy, embarrassment, and surprise through simple lines. The protagonist and her family have skin the white of the page and present East Asian; Niko has darker skin.
A sweet, uplifting take on facial difference, friendship, and self-acceptance. (Picture book. 4-8)Pub Date: Jan. 21, 2025
ISBN: 9780823453894
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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