by Ian Graham ; illustrated by Carles Ballestros ‧ RELEASE DATE: April 5, 2016
A hands-on alternative to Sally Sutton and Brian Lovelock’s Construction (2014) and the plethora of like building-site visits
Nine construction vehicles assembled on a pegboard with heavy cardboard pieces provide early practice for budding builders and engineers.
To show the finished machines in action, stylized cartoon illustrations depict a construction crew, diverse of gender and skin tone, demolishing an old structure, putting up a school, and paving a road. Simple text describes how each machine works, with additional text carefully chosen for maximum audience engagement: “Smash! The swinging ball hits the wall and knocks it over.… / Explosives are also used to bring down tall buildings.” Machines are pictured from the side view with a flattened perspective that makes details pop. Instructions with diagrams run below for building flat but functional models of the wrecking ball, bulldozer, cement mixer, and other vehicles featured in each scene on the detachable pegboard sheet. The punch-out pieces, gears, wheels, and plastic screws come in an attached box, which can do double duty for storage as the pegboard is big enough only for one machine at a time.
A hands-on alternative to Sally Sutton and Brian Lovelock’s Construction (2014) and the plethora of like building-site visits . (Picture book/kit. 6-8)Pub Date: April 5, 2016
ISBN: 978-1-4197-2109-0
Page Count: 24
Publisher: Abrams
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Ian Graham ; illustrated by Stephen Biesty
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by Ian Graham ; illustrated by Stephen Biesty
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by Oliver Green & Ian Graham & Philip Wilkinson & Andrew Nahum
by Richard Collingridge ; illustrated by Richard Collingridge ‧ RELEASE DATE: July 31, 2018
A fair choice, but it may need some support to really blast off.
This rocket hopes to take its readers on a birthday blast—but there may or may not be enough fuel.
Once a year, a one-seat rocket shoots out from Earth. Why? To reveal a special congratulatory banner for a once-a-year event. The second-person narration puts readers in the pilot’s seat and, through a (mostly) ballad-stanza rhyme scheme (abcb), sends them on a journey toward the sun, past meteors, and into the Kuiper belt. The final pages include additional information on how birthdays are measured against the Earth’s rotations around the sun. Collingridge aims for the stars with this title, and he mostly succeeds. The rhyme scheme flows smoothly, which will make listeners happy, but the illustrations (possibly a combination of paint with digital enhancements) may leave the viewers feeling a little cold. The pilot is seen only with a 1960s-style fishbowl helmet that completely obscures the face, gender, and race by reflecting the interior of the rocket ship. This may allow readers/listeners to picture themselves in the role, but it also may divest them of any emotional connection to the story. The last pages—the backside of a triple-gatefold spread—label the planets and include Pluto. While Pluto is correctly labeled as a dwarf planet, it’s an unusual choice to include it but not the other dwarfs: Ceres, Eris, etc. The illustration also neglects to include the asteroid belt or any of the solar system’s moons.
A fair choice, but it may need some support to really blast off. (Picture book. 6-8)Pub Date: July 31, 2018
ISBN: 978-1-338-18949-0
Page Count: 32
Publisher: David Fickling/Phoenix/Scholastic
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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by Richard Collingridge ; illustrated by Richard Collingridge
by John Hare ; illustrated by John Hare ‧ RELEASE DATE: Sept. 8, 2020
A quick but adventuresome paddle into a mysterious realm.
The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.
In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not thatone) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)
A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)Pub Date: Sept. 8, 2020
ISBN: 978-0-8234-4630-8
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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