Neither a masterpiece nor a curiosity but an elegant expression of universal longings rooted in a specific milieu,...
Following the discovery and publication of the French novelist’s Suite Française (2006), here’s another lost work: a short elegiac novel about the brief yet passionate loves and infidelities of youth.
The best guess is that Némirovsky (1903–1942) worked on this novel between 1938 and 1942, when she was deported to Auschwitz. The first-person narrator is Silvio, a middle-aged man living in Burgundy, an agriculturally rich region whose small landowners and farmers are suspicious and dour. As a young man, Silvio left this stifling community to sow his wild oats and work his way around the world, “propelled forward by the fire in my young blood”—echoes of Joseph Conrad’s Youth. Now, all passion spent, his inheritance squandered and his lands sold, he lives alone with only his dog for company. Nearby live his cousin Hélène and her husband François, a devoted couple, the picture of domestic tranquility. The marriage of their daughter Colette to Jean, a gentle young miller, sets the plot in motion. Early in their marriage, Colette takes a lover, experiencing like Silvio that “fire in the blood.” There is, however, a complication. The lover, Marc, already has a liaison with another woman, the unhappily married ward of Hélène’s half-sister. One night there is an “accident”; Jean is found dead in the river. It emerges that Jean had lost a struggle with another man; François, never dreaming his daughter had a lover, wants to involve the police. Eventually Colette’s parents learn the truth, which in turn forces Hélène to make a stunning confession of her own about her young, passionate self, and induces in Silvio the great mournful cry, “I want my youth back.” There is one puzzling omission at the end which suggests Némirovsky, a careful plotter, had loose ends to tie up.
Neither a masterpiece nor a curiosity but an elegant expression of universal longings rooted in a specific milieu, provincial France, that’s observed with a caustic brilliance.Pub Date: Oct. 3, 2007
ISBN: 978-0-307-26748-1
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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