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APHRODITE

A MEMOIR OF THE SENSES

An elegant grandmother ponders the erotic side of food and the most delicious aspects of eros. The noted Chilean novelist Allende (The House of the Spirits, 1985; Paula, 1995; etc.) now lives in San Francisco. One day she put on dark sunglasses and a brassy wig and went down to a big porno shop in order to begin research for this "memoir." However, it's not a memoir in the usual sense; the graceful Allende doesn't kiss and tell. She is never crude or exhibitionistic, and she does not seek to shock her gentle readers. She aims to amuse, to titillate, and to entertain us with the lore of food and sex, a few choice morsels from her own experience and fantasy life, and occasionally to advise aspiring seducers and seductresses. This volume—part memoir, part research project, part cookbook—seeks above all to charm the pants off us, literally. And Allende has this ability. The tone of her prose is persuasively warm and inviting, but also down-to-earth: "The shells of oysters, those seductive tears of the sea, which lend themselves to slipping from mouth to mouth like a prolonged kiss, are hell to open. They can be purchased in bottles, but there they look like malignant tumors; in contrast, moist and turgid in their shells they suggest delicate vulvae." The tales and anecdotes she offers whet the appetites; and her tidbits of erotic lore are food at least for thought, and perhaps more. In addition, there are many recipes for sensual cooks, provided by her aged mother, Panchita Llona, and by the novelist's Spanish agent, Carmen Balcells. Illustrations, tastefully sensual, are provided by Robert Schechter. Peden's translation has verve and immediacy. Allende's "erotic meanderings" give pleasure. She has a sure sense of the delicate relations between eros and writing. Her tact amplifies the eros that pornography kills. ($125,000 ad/promo; radio satellite tour)

Pub Date: April 1, 1998

ISBN: 0-06-017590-7

Page Count: 320

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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