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AL CAPSELLA AND THE WATCHDOGS

In an engaging sequel to The Heroic Life of Al Capsella (1990), Al continues his affectionate sparring with parents who are almost as outlandish as they seem to his embarrassed 15-year- old eyes. Mrs. Capsella, successful author of romances, has given Al a notably lumpy, badly sewn, homemade beanbag chair that proves to contain all the ``Home Duties presents'' (apron, egg- timer, etc.) her mother had forced on her. Worse, she and his friends' parents are forever observing their young, resorting to ruses like borrowing each other's dogs in order to spy on unsupervised parties; they are also taking courses on how to deal with adolescents, resulting in transparently uncharacteristic tact and sympathetic concern. Meanwhile, Mrs. Capsella's truly bizarre parents come to stay and comment on her every move, precipitating the two younger generations into an alliance of sorts. The flavor here may be Australian, but the anxieties and fencing between parent and child are universal. What's special is Al's mellow tone: he may find his parents inconvenient or incomprehensible, but he views them with an amused tolerance that's both hilarious and endearing (and, one hopes, contagious). (Fiction. 11-15)

Pub Date: June 28, 1991

ISBN: 0-8050-1598-1

Page Count: 152

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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BRONX MASQUERADE

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...

This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.

The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”

At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)

Pub Date: Jan. 1, 2001

ISBN: 0-8037-2569-8

Page Count: 176

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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THE BOY IN THE STRIPED PAJAMAS

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.

After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.

The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.

Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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