Mature, thoughtful, even meditative at times—but also quite entertaining.
Everyone has dark secrets. It’s why God invented confession and booze, two balms frequently employed in Sullivan’s well-wrought sophomore effort.
Alice Brennan is Irish American through and through, the daughter of a cop, a good Catholic girl so outwardly pure that she’s a candidate for the papacy. But Alice, more than that, is an Irish rose, “one of the most special young women out there, just waiting for someone to take notice.” When Sullivan (Commencement, 2009) introduces her, someone has taken notice, and decades have rolled by, and Alice Kelleher is now reflecting on 60 years of life at a beachside cottage that her husband won at gambling. She spends her days drinking red wine, reading, “watching the waves crash against the rocks until it was time to make supper,” and avoiding her children’s pointed demands that she not drink so much—and especially that she not drive once she’d had a few belts. As Sullivan’s tale unfolds, there are plenty of reasons that Alice might wish to avoid taking too close a look at her life: There’s tragedy and heartbreak around every corner, as there is in every life. So it is with the intertwined tales of her daughter and granddaughter, who are more modern creatures, all bound up in confessional groups of their own, yoga, homeopathy and all the other stuff of the contemporary examined life. Sullivan spins a leisurely yarn that looks into why people do the things they do—particularly when it comes to drinking and churchgoing—and why the best-laid plans are always the ones the devil monkeys with the most thoroughly. The story will be particularly meaningful to Catholic women, though there are no barriers to entry for those who are not of that faith.
Mature, thoughtful, even meditative at times—but also quite entertaining.Pub Date: June 16, 2011
ISBN: 978-0-307-59512-6
Page Count: 386
Publisher: Knopf
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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