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WHERE DRAGONWOOFS SLEEP AND THE FADING CREEPS

A fantasy with tremendous heart and a magisterial execution.

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This debut YA novel transports three teenage heroes to a magical realm that may vanish before they can save it from a despotic ruler.

Thirteen-year-old Ben Young has awoken in a forest beneath a red sky. He heads for a clearing, where he meets a girl collecting glowing flowers. She says she’s protecting them against something called the Fading. Ben next encounters a pair of faeries who lure him into a net that dangles him over a boiling swamp. Luckily, two elves save him from the faeries with arrows. Accompanying the elves is Marcus Cooper, a 13-year-old boy, who explains that the Fading is causing the spread of white nothingness on this world, Meridia. But Ben’s watch—a gift from his father that has stopped at midnight—might be the key to halting the Fading. Meanwhile, at the Blue Glass Palace, 13-year-old Queen Regent Avery Hopewell, like Ben, remembers little of how she comes and goes from Meridia. Fate has placed her in the path of Ben and Marcus but also in the way of the evil Sovereign, who plans to dominate all. Can the three teens reach the Creator’s Citadel and preserve the multifaceted beauty of Meridia? In this novel, Massey evokes the charm and psychedelic whimsy of classic fantasies like The Last Unicorn and films like Labyrinth. The heroes may pop in and out of Meridia via dreams, but their waking lives are just as dramatic as battling dark armies. Avery, for example, lives in a group home and still occasionally wets the bed yet has the intellect to be a catch for any foster family. As the teens tackle fantasy evil, they gain the confidence to address bullies and other real-world problems. The author’s dialogue, a buffet of snark and riddles, consistently augments the imaginative story. The dragonwoofs, a trio of underwhelming winged dogs who accompany the group, prompt Tamerlane the elf to ask, “How will these creatures learn to use their abilities if you keep sheltering them?” In this striking tale, Massey encourages parents to let children make mistakes as they explore their talents and identities.

A fantasy with tremendous heart and a magisterial execution.

Pub Date: June 5, 2018

ISBN: 978-1-980944-39-3

Page Count: 248

Publisher: Time Tunnel Media

Review Posted Online: Sept. 12, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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