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THE BRIDGE BATTLE

From the Lemonade War series , Vol. 6

An unusually nuanced exploration of bullying; as perceptive as it is entertaining.

The summer following the events of The Lemonade War (2007) is one of literal as well as figurative bridge building for sibs Evan and Jessie.

Prickly 9-year-old Jessie is initially disgusted, as instead of being enrolled in a summer camp for young engineers, she’s relegated to “How to Make and Decorate Fairy Houses”—worse yet, she joins a trio of mean third grade girls led by nemesis Becky. For easygoing fifth grader Evan, it’s summer school, where he’s not only singled out for remedial tutoring, but has accidentally been placed with older middle schoolers with an established pecking order and Reed, a vicious bully, at the top. Unsurprisingly, in short order Jessie has hijacked her class, efficiently leaving Becky on the outside but leading everyone else in a seminar on bridge design and construction (learning along the way to tolerate the occasional toy troll or other nonscientific embellishment). Evan has a harder time as he battles powerful twin urges to stand with classmate Stevie, Reed’s favorite victim, or stand by to fit into the established social order. Making the better, if perhaps not safer, choice leads to a climactic brush with disaster…but with some timely help from a surprising source, Reed is ultimately sent packing in a satisfactory way. As before, it’s the interplay between Jessie’s fierce intellect and Evan’s emotional intelligence that resolves issues and boosts this series from good to great. Characters read White.

An unusually nuanced exploration of bullying; as perceptive as it is entertaining. (Fiction. 9-13)

Pub Date: Nov. 1, 2022

ISBN: 978-0-358-69299-7

Page Count: 240

Publisher: Clarion/HarperCollins

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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