by Jacqueline Jones ‧ RELEASE DATE: Dec. 5, 2017
Comprehensive and fair, though a little more warmth toward Parsons would have made the book more engaging.
Tough-minded biography of a fiery revolutionary whose activism spanned the decades from Reconstruction to the New Deal.
Bancroft Prize winner Jones (Chair, History and Ideas/Univ. of Texas; A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America, 2013, etc.) evinces considerable respect for her subject, a woman born into slavery who gained fame in 1880s Chicago as one of the anarchist movement’s most vocal advocates of violent revolt. But the author finds plenty to criticize about Lucy Parsons (1853-1942), beginning with her decision, when she left Texas with her white husband, Albert, to disguise her racial identity and to almost entirely ignore the plight of African-Americans as she battled for the working class. Jones deplores the couple’s praise of “the dear stuff dynamite” as an instrument of liberation—loose talk that helped convict Albert and seven other anarchists of conspiracy to murder in the wake of an 1886 demonstration in Chicago’s Haymarket Square even though none of them threw the dynamite that killed seven policemen. The biographer’s sympathies are clearly with more pragmatic radicals like Mother Jones, who argued that the anarchists’ theatrical tactics and rhetoric were distractions in the struggle for real reforms like the eight-hour working day. Jones also finds distasteful Lucy’s embrace of traditional gender roles, promoting herself as the widow of a Haymarket martyr and plugging her self-published copies of Albert’s biography at every opportunity while leading a sexually free life and railroading her son into an insane asylum after a quarrel. Nonetheless, the author acknowledges Lucy’s gifts as an orator and salutes her refusal to be relegated to a subordinate role by her male comrades. “In the end,” she concludes, “there are few lives that are not a bundle of contradictions and shortcomings.” Parsons remained committed to radical causes throughout her long life and gave her last speech, to a group of striking workers, scarcely a year before her death in 1942.
Comprehensive and fair, though a little more warmth toward Parsons would have made the book more engaging.Pub Date: Dec. 5, 2017
ISBN: 978-0-465-07899-8
Page Count: 464
Publisher: Basic Books
Review Posted Online: Sept. 24, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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