by Jacqueline Jules ; illustrated by Hector Borlasca ‧ RELEASE DATE: Sept. 6, 2022
Joyful and entertaining, with a glimpse into a different aspect of Judaism.
A mischievous goblin plays havoc with preparations for Shabbat in this playful take on Jewish folklore.
Rose and Benny, Jewish siblings who are light-skinned with dark hair, are braiding challah for Shabbat dinner, trying to be quiet so Mama can rest after a hard day at work in the village. They are interrupted by loud rumbling noises. They check outside to see their yard a mess and strange tracks all around. Both children attribute the damage to a goblin, for everyone in the village knows of these invisible creatures with roosterlike tracks. They nervously continue working on the challah. Suddenly Rose’s kerchief is yanked off her head and flies across the room and up the chimney. Then their Shabbat candlesticks and kiddush cup go flying and crashing to the floor. Rose comes up with an ingenious plan, and the siblings work together to capture the goblin. Focusing on Jewish folklore—something not seen as commonly in kid lit—this tale centers on a loving, kind, and resourceful sibling pair. They are never in any real danger, as Jules keeps the tale light and lively, providing sound effects in uppercase letters to enliven the action. Borlasca’s bright cartoons set the scenes in an old-style kitchen with no modern appliances in sight and with the Shabbat accouterments prominently displayed. The children are expressive, and the action is depicted with humor and charm. (This book was reviewed digitally.)
Joyful and entertaining, with a glimpse into a different aspect of Judaism. (author’s note) (Picture book. 4-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-68115-591-3
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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