by Jacqueline Rogers ; illustrated by Jacqueline Rogers ‧ RELEASE DATE: July 23, 2019
A just-scary-enough romp for the brave.
A Goblin Moon on Halloween night brings the goblins out to frolic.
As the moon rises, a costumed family—turbaned fortuneteller mom, cowboy dad, toddler bear, and pigtailed pirate (eye patch askew)—sets off trick-or-treating. The creepy shadows cast by the moon clearly have the little buccaneer on alert (the accompanying picture’s dark, but nothing’s too scary, and adults are close). “Better get home now / and snug up inside. / The goblins are coming— / we better go hide!” From beneath the protection of covers, the young pirate peers out to see the goblins frolicking. But when they disappear from sight, the protagonist starts seeing and hearing things inside the house, and readers will spy the adorable little green monsters as they hide from the searching flashlights of the adults. Emboldened, the kid tells the goblins to go back to their moon, but perhaps they need an incentive? A trail of Halloween candy leading away from the house just might do it. And perhaps they’ll offer something in return? Rogers’ gouache and digital illustrations are magical when depicting the night outside, with sinuous trees in deep blues and greens highlighted in the white light from a gently smiling moon. And while the premise of monsters in the house that are invisible to adults is a creepy notion, the goblins are delightfully fun and not at all scary.
A just-scary-enough romp for the brave. (Picture book. 4-8)Pub Date: July 23, 2019
ISBN: 978-0-06-279229-7
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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