by Jacqueline Wilson & illustrated by Nick Sharratt ‧ RELEASE DATE: Aug. 14, 2001
Wilson pushes so much pain between the lines of this portrait of a foster child with the personality of a steamroller that it comes off less a lightweight tribute to human resilience than a pathos-ridden tale of children acting out as they nurse profound inner wounds. Ever ready to lash out verbally or physically, Tracy swaggers through her account of life in the group home to which her second pair of foster parents have returned her, meanwhile leaning heavily on the thin hope that her long-gone mother will return to her. Readers will easily see through all the tough talk to the vulnerability within, as she browbeats Peter, a younger housemate, while drawing on personal experience to help him cope with persistent bedwetting; passes from denial through defiance to trying for a truce after breaking archrival Justine’s most prized possession (a cheap alarm clock from her father); and goes relentlessly to work on Cam, a visiting journalist, to take her as a foster child. Interspersed line drawings done in a childlike style, and letters exchanged by Tracy and Cam, fail to lift the heavy mood. By the end, Cam has still not come around—but readers may be too annoyed by Tracy’s rude, aggressive character to care. (Fiction. 10-12)
Pub Date: Aug. 14, 2001
ISBN: 0-385-72919-7
Page Count: 192
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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by Jacqueline Wilson and illustrated by Nick Sharratt
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SEEN & HEARD
by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Michael Morpurgo & illustrated by Michael Foreman ‧ RELEASE DATE: Nov. 1, 2006
“Hear, and listen well, my friends, and I will tell you a tale that has been told for a thousand years and more.” It’s not exactly a rarely told tale, either, though this complete rendition is distinguished by both handsome packaging and a prose narrative that artfully mixes alliterative language reminiscent of the original, with currently topical references to, for instance, Grendel’s “endless terror raids,” and the “holocaust at Heorot.” Along with being printed on heavy stock and surrounded by braided borders, the text is paired to colorful scenes featuring a small human warrior squaring off with a succession of grimacing but not very frightening monsters in battles marked by but a few discreet splashes of blood. Morpurgo puts his finger on the story’s enduring appeal—“we still fear the evil that stalks out there in the darkness . . . ”—but offers a version unlikely to trouble the sleep of more sensitive readers or listeners. (Fiction. 10-12)
Pub Date: Nov. 1, 2006
ISBN: 0-7636-3206-6
Page Count: 96
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2006
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by Michael Morpurgo ; illustrated by Emily Gravett
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by Michael Morpurgo ; illustrated by Tom Clohosy Cole
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by Michael Morpurgo ; illustrated by Benji Davies
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