A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.
After losing his wife and unborn son in a tsunami in Australia, an expat horse trainer adopts a psychic 3-year-old.
As Mitchard’s (Second Nature: A Love Story, 2011, etc.) latest novel opens, a killer wave hits Brisbane. Among the victims are ex-cop Frank Mercy’s pregnant wife and almost her entire extended family. Dazed and grief-stricken, Frank joins the volunteer rescue efforts the next day, coming to the aid of a woman and two small boys in a van that is half underwater. He plucks out the littler child, but before he can get to the others, the vehicle is swept away. When the devastated Frank returns to his family’s horse farm in Wisconsin a few weeks later, he takes the components of an unexpected new life: the boy (whom he has not bothered to legally adopt), a huge horse named Glory Bee, and a young Irish groom. By this time he's learned that the boy he named Ian, who rarely speaks, has a telepathic gift—he can enter the minds of enraged people and make them calm down and be nice. Animals, too, as Frank sees when they descend into the cargo hold of their international flight, where Glory Bee and other zoo and domestic animals are going wild from the turbulent ride. “The boy had to jump back after the first time he touched Glory Bee’s leg through the…wooden slats of the makeshift stall.…She was roaring, cantering in place. But the second time Ian touched her, she stopped, and if she were a woman, Frank believed he would have seen her stand there, sobbing.” Frank recognizes the possibility that Ian’s power could easily be used for evil—and soon enough, it becomes clear that very bad people are hunting him down, murdering those who get in their way. Meanwhile, Frank meets another woman, an equestrian psychiatrist who asks him to train her and her horse for the Olympics. As his heart begins to heal, he faces the challenge of protecting Ian from the mounting threat.
A troubled protagonist, beset by disaster and malefaction, is touched by magic as he develops new emotional connections.Pub Date: March 15, 2016
ISBN: 978-1-5011-1557-8
Page Count: 416
Publisher: Simon & Schuster
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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