Nostalgic Nancy Drew fans will likely deem this experimental picture book a failed homage, and it will certainly disappoint...
Pam, Bess, and Bess’ younger sister, Sue, visit a museum after hours for a celebration of the “publication of the first of the Nancy Drew mystery books” in this picture book based on a story originally published in 1980 in the New Yorker.
Although The Mystery of the Old Clock was originally published in 1930, Cortés does not set the story during the Depression: The girls—all three are black—wear modern casual clothing, and one appears to be holding a smartphone. When Pam climbs the stairs for a better vantage point from which to peer at the guests, she points out something shocking. Pam and Bess are aghast at whatever it is, but little sister Sue (and readers) remains clueless. Frustratingly, the pictures depict only their changing expressions over pages and pages and not what they actually see—though the last page might offer a visual hint. The stilted vocabulary seems to date back to Carolyn Keene’s characters of that era: “querulous,” “milling about,” “bilious,” and “hypers” (an exclamation), all incongruous with the characters’ ages. Worse, one textual descriptor of Bess clashes with her depiction as a girl with dark brown skin: “her face turning first a ghostly white, then a vivid red.” For white Bess Marvin, friend of Nancy Drew, this is possible, but blushing would not result in such a color change in a character with skin this dark. The color palette of the illustrations seems as dated as the museum—another reason this book will likely fail to appeal to young readers.
Nostalgic Nancy Drew fans will likely deem this experimental picture book a failed homage, and it will certainly disappoint young sleuths in search of a real mystery. (Picture book. 5-8)Pub Date: June 4, 2019
ISBN: 978-1-61775-716-7
Page Count: 32
Publisher: Black Sheep/Akashic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A nicely inventive little morality “tail” for newly independent readers.
Two little rats decide to show the world how tough they are, with unpredictable results.
Louie and Ralphie Ratso want to be just like their single dad, Big Lou: tough! They know that “tough” means doing mean things to other animals, like stealing Chad Badgerton’s hat. Chad Badgerton is a big badger, so taking that hat from him proves that Louie and Ralphie are just as tough as they want to be. However, it turns out that Louie and Ralphie have just done a good deed instead of a bad one: Chad Badgerton had taken that hat from little Tiny Crawley, a mouse, so when Tiny reclaims it, they are celebrated for goodness rather than toughness. Sadly, every attempt Louie and Ralphie make at doing mean things somehow turns nice. What’s a little boy rat supposed to do to be tough? Plus, they worry about what their dad will say when he finds out how good they’ve been. But wait! Maybe their dad has some other ideas? LaReau keeps the action high and completely appropriate for readers embarking on chapter books. Each of the first six chapters features a new, failed attempt by Louie and Ralphie to be mean, and the final, seventh chapter resolves everything nicely. The humor springs from their foiled efforts and their reactions to their failures. Myers’ sprightly grayscale drawings capture action and characters and add humorous details, such as the Ratsos’ “unwelcome” mat.
A nicely inventive little morality “tail” for newly independent readers. (Fiction. 5-8)Pub Date: Aug. 2, 2016
ISBN: 978-0-7636-7636-0
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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