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ON BECOMING AN AMERICAN WRITER

ESSAYS & NONFICTION

Powerfully written and provocative, with subtle but pointed polemics often in play.

A posthumous gathering of essays by the first Black writer to win the Pulitzer Prize for fiction.

Born in Savannah, McPherson (1943-2016) faced segregation and the proverbial tyranny of low expectations only to defy them with a Harvard Law degree, tenure at several universities, and a MacArthur fellowship. The 1960s, though turbulent, presented promising possibilities: “Opportunities seemed to materialize out of thin air; and if you were lucky, if you were in the right place at the right time, certain contractual benefits just naturally accrued.” One way to be in the right place was to work hard, all the more so if you were one of the “black peasants.” As McPherson writes, while the feeling was “that we could be whatever we wanted,” getting there required overcoming not just “institutional forces,” but also one’s own self-imposed limitations. White supremacy is a very real thing, he writes, but so, too, is the phenomenon whereby some members of minority populations act as “watchdogs over those who challenge, in whatever way, the status quo.” The suggestion, reading between the lines, is that the more-PC-than-thou are impediments just as real as the supremacists, a suggestion that will not go over well in some academic quarters. In a nimble essay that begins, as so often, with the personal—in this case friendship with Bernard Malamud—and expands outward to the universal, McPherson writes of the difficult interactions between Blacks and Jews, who should be natural allies as “spiritual elites” but instead profess antisemitism on the one hand and racism on the other in order to take their places in the American mainstream. While no conservative, McPherson offers sometimes-contrarian views on such matters as affirmative action and advocates otherwise questioning the assumptions of the “prevailing morality.”

Powerfully written and provocative, with subtle but pointed polemics often in play.

Pub Date: Jan. 17, 2023

ISBN: 978-1-56792-748-1

Page Count: 264

Publisher: Godine

Review Posted Online: Oct. 24, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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  • New York Times Bestseller

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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