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SPENCER TRACY

A LIFE

Spencer Tracy (1900–1967), warts and all.

Acclaimed biographer Curtis (W.C. Fields, 2003, etc.) presents an exhaustive and exhausting biography of the legendary Hollywood star, famed for his uncanny naturalism and authority on camera and best remembered for the series of films he made with longtime companion Katharine Hepburn. Impeccably researched, Curtis’ doorstopper chronicles Tracy’s steady rise from stock company star to Broadway sensation to silver screen icon in copious and sometimes plodding detail, recording salary negotiations, scheduling conflicts and press notices with laser-like focus. Happily, the author is equally expansive on the production details of Tracy’s many classic films, his friendships and affairs with fellow glitterati and the culture of working actors in a variety of milieus. The heart of the book concerns Tracy’s turbulent relationship with Hepburn; in Curtis’ telling, it was a miraculous meeting of two diametrically opposed and difficult temperaments in which the neuroses and rough edges of each party found succor and understanding in the other. Truthfully, they both come across as monumentally annoying, and Tracy’s lugubrious personality—guilt-ridden, painfully sensitive, diffident, gloomy—casts a bit of a pall over the narrative. Curtis is scrupulous but not salacious in documenting Tracy’s catastrophic alcoholism and philandering. His long-suffering wife Louise (they never divorced, despite the open secret of his decades-long affair with Hepburn) emerges as an unlikely hero, an intelligent and proud woman who devoted her life to the establishment and expansion of The John Tracy Clinic, named for the couple’s deaf son and tasked with improving the lot of deaf children and their parents through education and progressive treatments. Tracy regularly supplied funding for the clinic and seemed to regard its existence as the noblest aspect of his legacy—unsurprising for a self-loathing man who always reckoned he should have become a doctor or a priest and regarded his chosen profession as an embarrassment. A monumental, definitive biography of one the finest film actors in the history of the medium.

 

Pub Date: Oct. 18, 2011

ISBN: 978-0-307-26289-9

Page Count: 1056

Publisher: Knopf

Review Posted Online: Aug. 15, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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