LETTERS FOR THE AGES

Dear music lovers…

Eager to cultivate his image, Johannes Brahms destroyed much of his early work before it could get out into the world. The composer felt the same about his correspondence. “A person has to be careful about writing letters,” he told a friend. “One day they get printed!” The man had a point. This enjoyable collection—part of a Letters for the Ages series—assembles missives from musicians that date as far back as the sixth century. Brahms would be happy to learn that none of his writing is in the book. Among the entries, however, is an 1878 letter addressed to him; it’s by Clara Schumann, the fellow composer who had great affection for her friend (the feeling was reciprocal, although the relationship probably remained platonic). The letter is illuminating because it shows how much Schumann advised Brahms on his scores, with detailed (and gentle) suggestions: “In the C major piece I wish you would use the charming opening phrase again at the repeat, it would not be difficult, would it?” Schumann’s husband, Robert, is also in the anthology. In an 1830 letter to his mother, the future composer expresses his reluctance to pursue a legal career: “My life has been for twenty years one long struggle between poetry and prose, or, let us say, music and law.” Seems he made the right choice. Dozens of other musicians are included; the range is broad, if focused on Western artists. We hear from Giuseppe Verdi, Woody Guthrie, John Coltrane, Leonard Bernstein, Amy Winehouse, and Nick Cave. In a foreword, David Pickard writes that “despite their genius, great artists are real people”—even, apparently, when addressing royalty. “My glorious and dearly beloved King,” Richard Wagner gushes in a letter to Ludwig II of Bavaria. In his short communication, the composer proceeds, like any modern-day fanboy, to use no fewer than 11 exclamation marks.

Notes of a different sort offer insights into musicians’ lives.