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KILL 'EM AND LEAVE

SEARCHING FOR THE REAL JAMES BROWN

An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American...

National Book Award winner McBride (The Good Lord Bird, 2013, etc.) dissects the career, legacy, and myth of the Godfather of Soul.

One of the most iconic figures in pop music, James Brown (1933-2006) is also one of the most unknown and falsely represented figures in American cultural history. Taking the recent biopic based on his life as an example, McBride shows how Brown’s late-career downward spiral into drug abuse, erratic behavior, and jail time is exaggerated and how it overshadows his legacy as a hardworking and dedicated singer who was a positive cultural force. Part of this misrepresentation was caused by the mystery of Brown, which he perpetuated during his lifetime. As the author points out, Brown was constantly on the run from himself, careful never to reveal too much of his personality in public or private. As Brown put it to his young protégé Al Sharpton, “come important and leave important.” McBride traces Brown’s philosophy of “keeping ’em guessing” through his upbringing in rural South Carolina and Georgia and back to a telling myth of a local ancestor. As the author sums it up: “you can’t understand Brown without understanding that the land that produced him is the land of masks.” Anecdotes and digressions are the preferred narrative mode for McBride, as he eschews an overarching, linear structure in favor of the rhythm of vignettes. Through his adventures to uncover the “real” Brown, there is significantly little discussion of Brown’s musical career; instead, the author focuses on the people around him and the defining moments of his life outside the spotlight. But for McBride, the story of Brown is the story of money and greed—not on Brown’s part, who put his $100 million estate toward the education of poor children, but of his heirs and family members who have tied up that money in years of litigation.

An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture.

Pub Date: April 5, 2016

ISBN: 978-0-8129-9350-9

Page Count: 256

Publisher: Spiegel & Grau

Review Posted Online: Jan. 25, 2016

Kirkus Reviews Issue: Feb. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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