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GET ME THROUGH THE NEXT FIVE MINUTES

ODES TO BEING ALIVE

Parker is articulate and provocative, seeing the poetry in the ordinary and the wonderful in the world.

A collection of short pieces encompassing the whimsical, the meditative, and the tragicomic.

Is the world a big place full of small things, or a small place stuffed with big things? Parker, a staff writer for the Atlantic and author of a biography of Henry Rollins, would probably say it is both, judging from this compilation of his essays and poems. His subjects veer from the philosophical to the very strange, from quantum physics to “the psychedelic locusts that run the universe.” The author explains why Jason Bourne ("poor human suffering the essential questions") is better than James Bond and discusses which movie star has the best running style—he settles on Tom Cruise, who runs "with the face of an angry Christ.” Parker is not shy about getting personal. He might be the only person to have written a poem about constipation, which includes a cat. He admits to a misspent youth, with too many party drugs and too much literature. However, both gave him odd insights into the way the world works. Is it possible that the hum of a refrigerator, heard in the insomniac hours, is really the hidden song of the eternal? What do hypervigilant squirrels know that we don’t? Parker’s writing is carefully polished, with the humor often hiding dark undertones, which in turn obscure deeper absurdities. (Consider a mixture of Cormac McCarthy’s shade and Steve Martin’s offbeat comedic spirit.) It all makes for enjoyable reading that can be consumed at once or piecemeal; many of Parker’s essays deserve serious contemplation. Among numerous other topics, he pens odes to the “Farting Horse,” “Crying Babies,” “Bad Reviews,” “My Dog’s Balls,” “Being Dead,” and “Wanting to Be a Great Poet.”

Parker is articulate and provocative, seeing the poetry in the ordinary and the wonderful in the world.

Pub Date: June 18, 2024

ISBN: 9781324091639

Page Count: 288

Publisher: Norton

Review Posted Online: March 1, 2024

Kirkus Reviews Issue: April 15, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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