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ALI CROSS

LIKE FATHER, LIKE SON

From the Ali Cross series , Vol. 2

A fitting, socially conscious sequel.

Ali Cross sets out to solve another case that hits close to home.

Ali, son of Washington, D.C., detective Alex Cross, returns in a sequel to his 2019 outing that finds him in the thick of things when his crush, Zoe Knight, gets shot in a park. Middle schooler Ali is the closest thing there is to an eyewitness, though he didn’t even see the shooter’s face. Zoe knows who did it but strangely is keeping quiet. Still, Ali’s knack for investigation and his connection to Zoe propel him to pursue the case with the help of friends. Themes of activism, gun violence, and police bias are explored, with various complex sides to the issues being shared by different characters. Ali’s schoolmates become frustrated with the impact of gun violence on Black people and start demanding more accountability from the authorities. Meanwhile, Ali, the son of a homicide detective, finds himself in the middle of arguments about these topics while at times feeling his opinions are dismissed due to his father’s profession. Overall, this is a solid follow-up that shows Ali developing as a sleuth even as he’s a young boy trying to make sense of his world. Important messages regarding social justice are imparted, although the pacing sometimes feels rushed, taking away from the gravitas of certain moments. Overall, however, readers who enjoy stories of young detectives will be pleased. Ali and Zoe are Black.

A fitting, socially conscious sequel. (Mystery. 10-14)

Pub Date: June 28, 2021

ISBN: 978-0-316-50013-5

Page Count: 304

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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