Her Majesty, Grace Jones has grown up a bit and transferred to the Winslow S. DeForest Junior High School, but she's still her old exuberant self — outwardly a tomboy in her father's old blue serge middy, inwardly Trueblue Tom straight out of her beloved Swallows and Amazons. Grace's hero worship of Chatty Peak, president of the Girls' Leader Corps and Captain Nancy incarnate, and her pursuit of the gold ring awarded to the best all-round girl both end in disillusionment. However, she has her full share of moments of glory. Poetry strikes her like a thunderbolt, and she declaims Kubla Khan and the Rime of the Ancient Mariner with infectious gusto, while arguing a gut-level defense of free will with her heredity-environment conscious English teacher Miss Humminger. Trueblue Tom suffers an ignominious demise, beginning when Grace's first bout of real sailing ends in seasickness and sealed by her burgeoning puppy love for the music teacher Mr. Chester, and in the end Grace is a wiser, if — sadly — more feminized girl. The late '30's ambience is played to the hilt, though some of the attitudes — like Mr. Chester's distinction between Grace's hoydenish "divine discontent" and Chatty's unseemly masculinity— don't seem exactly right on today. The nostalgia, however, takes second place to Grace's spirited, sometimes giddy, enthusiasm for life which is guaranteed to bowl you over.
Pub Date: Nov. 15, 1972
ISBN: 0060236868
Page Count: 210
Publisher: Harper & Row
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Nov. 1, 1972
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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